THE INKLINGO LANGUAGE GUIDES
60 Classical Arabic Poetry Excerpts
Read sixty short passages from classical Arabic poems, with the original wording, learner vowel marks and our English translations. Each entry is an excerpt, not a claim to reproduce the complete poem. The collection preserves every passage previously on our Arabic quotes guide.
Start here
- According to the Resolve of the Resolute (Excerpt)Great undertakings match the resolve of those who undertake them, and noble deeds match the noble.
- If You Venture in Pursuit of Honour (Excerpt)If you venture in pursuit of honour, do not settle for anything below the stars.
- What Consolation, with Neither Family nor Homeland? (Excerpt)A person does not attain everything they wish for; winds blow in ways the ships do not desire.
- What Consolation, with Neither Family nor Homeland? (Excerpt)I keep my restraint when it is generosity in me; I do not keep it when it is cowardice.
- O Burning Heart, before One Whose Heart Is Cold (Excerpt)The worst place is one with no friend in it, and the worst gain is what brings a person disgrace.
- I See You Resisting Tears (Excerpt)I see you resisting tears, patience your habit. Has love no power to forbid or command you?
- I See You Resisting Tears (Excerpt)The fire within my ribs almost gives light when longing and thought kindle it.
- Muʿallaqa of Tarafah: Khawla’s Traces at Burqat Thahmad (Excerpt)They say: do not perish from sorrow; gather your strength.
- I See You Resisting Tears (Excerpt)On the dark night, the full moon is missed.
- Muʿallaqa of Imru al-Qays: Stop, Let Us Weep (Excerpt)Stop, you two; let us weep at the memory of a beloved and a dwelling.
Short Arabic Poetry Excerpts to Start With
These three brief excerpts are a manageable first reading. Short does not mean elementary: the vocabulary, grammar and verse tradition remain classical.
Muʿallaqa of Tarafah: Khawla’s Traces at Burqat Thahmad (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Tarafah ibn al-Abd (c. 543–c. 569), Muʿallaqa of Tarafah: Khawla’s Traces at Burqat Thahmad — Second couplet, second half
The speaker’s companions urge him to endure while he pauses at the old campsite.
Source noteI See You Resisting Tears (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Abu Firas al-Hamdani (932–968), I See You Resisting Tears — Couplet beginning “Sa-yadhkurunī qawmī,” second half
In a poem associated with captivity, the speaker imagines his people recognising his value when they need him.
Source noteMuʿallaqa of Imru al-Qays: Stop, Let Us Weep (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Imru al-Qays (early 6th century; died c. 550), Muʿallaqa of Imru al-Qays: Stop, Let Us Weep — Opening couplet, first half
The dual imperative qifā calls to two companions; the remembered campsite opens the poem.
Source noteExplore these words: Time & dates (flashcards) · Emotions & feelings (flashcards)
Put these words into context with a story at your level.
Read Arabic storiesFamous Arabic Poetry Excerpts About Life
Classical poets ask what time can take away and what experience can teach.
What Consolation, with Neither Family nor Homeland? (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Al-Mutanabbi (915–965), What Consolation, with Neither Family nor Homeland? — Opening couplet
The speaker lists the comforts missing from his life; the repeated lā gives the loneliness its rhythm.
Source noteWhat Consolation, with Neither Family nor Homeland? (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Al-Mutanabbi (915–965), What Consolation, with Neither Family nor Homeland? — Couplet beginning “Fa-mā yudīmu surūrun”
The poet weighs joy and grief against the irreversibility of time.
Source noteWhat Consolation, with Neither Family nor Homeland? (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Al-Mutanabbi (915–965), What Consolation, with Neither Family nor Homeland? — Couplet beginning “Mā kullu mā yatamannā”
An image of ships gives disappointed ambition a concrete shape; the second half also circulates as a saying.
Source notePeople before Us Kept Company with This Time (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Al-Mutanabbi (915–965), People before Us Kept Company with This Time — Opening couplet
The poet places present troubles in the experience of earlier generations.
Source notePeople before Us Kept Company with This Time (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Al-Mutanabbi (915–965), People before Us Kept Company with This Time — Third couplet
Time is personified as an unreliable giver; the pronoun refers back to time in the opening.
Source notePeople before Us Kept Company with This Time (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Al-Mutanabbi (915–965), People before Us Kept Company with This Time — Eighth couplet
A counterfactual argument about courage rests on the fact that no human life is permanent.
Source notePeople before Us Kept Company with This Time (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Al-Mutanabbi (915–965), People before Us Kept Company with This Time — Final couplet
The compact syntax compares anticipated difficulty with the experience of actually facing it.
Source noteMuʿallaqa of Zuhayr: Is This a Silent Trace of Umm Awfa? (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Zuhayr ibn Abi Sulma (c. 520–c. 609), Muʿallaqa of Zuhayr: Is This a Silent Trace of Umm Awfa? — Couplet beginning “Saʾimtu takālīfa l-ḥayāti”
The conventional interjection lā abā laka is not being used as a literal statement about someone’s father.
Source noteMuʿallaqa of Zuhayr: Is This a Silent Trace of Umm Awfa? (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Zuhayr ibn Abi Sulma (c. 520–c. 609), Muʿallaqa of Zuhayr: Is This a Silent Trace of Umm Awfa? — Couplet beginning “Raʾaytu l-manāyā”
The image stresses how unpredictable the arrival of death can feel.
Source noteMuʿallaqa of Zuhayr: Is This a Silent Trace of Umm Awfa? (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Zuhayr ibn Abi Sulma (c. 520–c. 609), Muʿallaqa of Zuhayr: Is This a Silent Trace of Umm Awfa? — Couplet beginning “Wa-man hāba asbāba”
The extravagant ladder image rejects the possibility of escaping mortality altogether.
Source noteMuʿallaqa of Tarafah: Khawla’s Traces at Burqat Thahmad (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Tarafah ibn al-Abd (c. 543–c. 569), Muʿallaqa of Tarafah: Khawla’s Traces at Burqat Thahmad — Couplet beginning “Arā l-ʿaysha kanzan”
Life is measured as a finite store, making each passing night tangible.
Source noteMuʿallaqa of Tarafah: Khawla’s Traces at Burqat Thahmad (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Tarafah ibn al-Abd (c. 543–c. 569), Muʿallaqa of Tarafah: Khawla’s Traces at Burqat Thahmad — Couplet beginning “La-ʿamruka mā amrī”
The speaker asserts self-knowledge while recognising that his present condition will pass.
Source noteMuʿallaqa of Imru al-Qays: Stop, Let Us Weep (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Imru al-Qays (early 6th century; died c. 550), Muʿallaqa of Imru al-Qays: Stop, Let Us Weep — Couplet beginning “Alā ayyuhā l-laylu”
The speaker longs for the night to end while admitting that daylight will not remove his worries.
Source noteExplore these words: Age & life stages (flashcards) · Time & dates (flashcards) · Family & relationships (flashcards)
Put these words into context with a story at your level.
Read Arabic storiesClassical Arabic Love Poetry Excerpts
Love poems speak through particular voices: longing, praise and reproach should keep their context.
Muʿallaqa of Tarafah: Khawla’s Traces at Burqat Thahmad (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Tarafah ibn al-Abd (c. 543–c. 569), Muʿallaqa of Tarafah: Khawla’s Traces at Burqat Thahmad — Opening couplet
An abandoned campsite becomes a delicate image of remembered love.
Source noteI See You Resisting Tears (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Abu Firas al-Hamdani (932–968), I See You Resisting Tears — Opening couplet
A question challenges the speaker’s outward composure before he admits his hidden longing.
Source noteI See You Resisting Tears (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Abu Firas al-Hamdani (932–968), I See You Resisting Tears — Second couplet
The answer separates the intensity of feeling from the public display of it.
Source noteI See You Resisting Tears (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Abu Firas al-Hamdani (932–968), I See You Resisting Tears — Fourth couplet
A bodily image makes private emotion seem bright enough to become visible.
Source noteI See You Resisting Tears (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Abu Firas al-Hamdani (932–968), I See You Resisting Tears — Sixth couplet, first half
The contrasting verb endings distinguish “I preserved” from “you, a woman, neglected.” This is the speaker’s accusation.
Source noteI See You Resisting Tears (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Abu Firas al-Hamdani (932–968), I See You Resisting Tears — Couplet beginning “Badawtu wa-ahlī,” second half
The beloved’s absence changes the emotional meaning of an inhabited place; lasti addresses a woman.
Source noteMuʿallaqa of Antarah: Have the Poets Left Anything to Mend? (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Antarah ibn Shaddad (c. 525–c. 615), Muʿallaqa of Antarah: Have the Poets Left Anything to Mend? — Second couplet
The poet addresses the absent beloved’s home as though it could answer him.
Source noteMuʿallaqa of Antarah: Have the Poets Left Anything to Mend? (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Antarah ibn Shaddad (c. 525–c. 615), Muʿallaqa of Antarah: Have the Poets Left Anything to Mend? — Couplet beginning “Wa-la-qad nazalti”
The direct feminine address assures Abla of her place in the speaker’s affections.
Source noteExplore these words: House & rooms (flashcards) · Personality (flashcards)
Put these words into context with a story at your level.
Read Arabic storiesArabic Poetry Excerpts About Wisdom
These lines connect judgment with generosity, self-knowledge and the limits of prediction.
According to the Resolve of the Resolute (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Al-Mutanabbi (915–965), According to the Resolve of the Resolute — Second couplet
The poet contrasts the scale of a task with the confidence of the person facing it.
Source noteIf You Venture in Pursuit of Honour (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Al-Mutanabbi (915–965), If You Venture in Pursuit of Honour — Couplet beginning “Wa-kullu shajāʿatin”
The poem links courage with judgment, rather than treating boldness alone as enough.
Source noteIf You Venture in Pursuit of Honour (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Al-Mutanabbi (915–965), If You Venture in Pursuit of Honour — Couplet beginning “Wa-kam min ʿāʾibin”
The poet turns from action to criticism and the listener’s responsibility to understand.
Source noteWhat Consolation, with Neither Family nor Homeland? (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Al-Mutanabbi (915–965), What Consolation, with Neither Family nor Homeland? — Couplet beginning “Innī uṣāḥibu ḥilmī”
Ḥilm means forbearance here, not a dream. The speaker distinguishes chosen patience from fear.
Source noteO Burning Heart, before One Whose Heart Is Cold (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Al-Mutanabbi (915–965), O Burning Heart, before One Whose Heart Is Cold — Couplet beginning “Idhā raʾayta nuyūba”
The threatening image warns against mistaking outward appearance for friendly intention.
Source notePeople before Us Kept Company with This Time (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Al-Mutanabbi (915–965), People before Us Kept Company with This Time — Fifth couplet
People turn something natural into an instrument of harm; the image questions human additions to life’s troubles.
Source notePeople before Us Kept Company with This Time (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Al-Mutanabbi (915–965), People before Us Kept Company with This Time — Ninth couplet
The speaker’s stark conclusion belongs to a classical ideal of courage in the face of mortality.
Source noteMuʿallaqa of Zuhayr: Is This a Silent Trace of Umm Awfa? (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Zuhayr ibn Abi Sulma (c. 520–c. 609), Muʿallaqa of Zuhayr: Is This a Silent Trace of Umm Awfa? — Couplet beginning “Wa-mā l-ḥarbu”
Zuhayr appeals to lived experience when warning his audience against renewing war.
Source noteMuʿallaqa of Zuhayr: Is This a Silent Trace of Umm Awfa? (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Zuhayr ibn Abi Sulma (c. 520–c. 609), Muʿallaqa of Zuhayr: Is This a Silent Trace of Umm Awfa? — Couplet beginning “Wa-aʿlamu ʿilma l-yawmi”
The speaker admits a limit to experience: knowing the past does not reveal the future.
Source noteMuʿallaqa of Zuhayr: Is This a Silent Trace of Umm Awfa? (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Zuhayr ibn Abi Sulma (c. 520–c. 609), Muʿallaqa of Zuhayr: Is This a Silent Trace of Umm Awfa? — Couplet beginning “Wa-man lā yuṣāniʿ”
Diplomacy is described through the harsh consequences of refusing it in the poet’s social world.
Source noteMuʿallaqa of Zuhayr: Is This a Silent Trace of Umm Awfa? (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Zuhayr ibn Abi Sulma (c. 520–c. 609), Muʿallaqa of Zuhayr: Is This a Silent Trace of Umm Awfa? — Couplet beginning “Wa-man yajʿali l-maʿrūfa”
A reputation is imagined as something protected by generous conduct.
Source noteMuʿallaqa of Zuhayr: Is This a Silent Trace of Umm Awfa? (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Zuhayr ibn Abi Sulma (c. 520–c. 609), Muʿallaqa of Zuhayr: Is This a Silent Trace of Umm Awfa? — Couplet beginning “Wa-mahmā takun”
The closing wisdom passage treats character as something actions eventually reveal.
Source noteMuʿallaqa of Tarafah: Khawla’s Traces at Burqat Thahmad (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Tarafah ibn al-Abd (c. 543–c. 569), Muʿallaqa of Tarafah: Khawla’s Traces at Burqat Thahmad — Penultimate couplet in the linked text
The traveller who was not supplied for a mission becomes an image of knowledge arriving unexpectedly.
Source noteI See You Resisting Tears (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Abu Firas al-Hamdani (932–968), I See You Resisting Tears — Couplet beginning “Wa-lā rāḥa yuṭghīnī”
The speaker claims a generous character that survives both prosperity and want.
Source noteExplore these words: Time & dates (flashcards) · Body parts (flashcards) · Personality (flashcards)
Put these words into context with a story at your level.
Read Arabic storiesArabic Poetry Excerpts About Friendship and Loyalty
The collection includes peacemaking, help, parting and the pain of unfair treatment.
O Burning Heart, before One Whose Heart Is Cold (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Al-Mutanabbi (915–965), O Burning Heart, before One Whose Heart Is Cold — Couplet beginning “Yā aʿdala n-nāsi”
Al-Mutanabbi reproaches his patron Sayf al-Dawla while still addressing him through praise.
Source noteO Burning Heart, before One Whose Heart Is Cold (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Al-Mutanabbi (915–965), O Burning Heart, before One Whose Heart Is Cold — Couplet beginning “Yā man yaʿizzu ʿalaynā”
The plural address expresses the weight of parting within the poem’s troubled bond with a patron.
Source noteO Burning Heart, before One Whose Heart Is Cold (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Al-Mutanabbi (915–965), O Burning Heart, before One Whose Heart Is Cold — Couplet beginning “Sharru l-bilādi”
Friendship and honour become the standards by which the speaker measures a place and its rewards.
Source notePeople before Us Kept Company with This Time (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Al-Mutanabbi (915–965), People before Us Kept Company with This Time — Sixth couplet
The speaker measures the smallness of worldly prizes against the damage caused by rivalry.
Source noteMuʿallaqa of Zuhayr: Is This a Silent Trace of Umm Awfa? (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Zuhayr ibn Abi Sulma (c. 520–c. 609), Muʿallaqa of Zuhayr: Is This a Silent Trace of Umm Awfa? — Couplet beginning “Wa-qad qultumā”
The poem praises two men who help settle a destructive tribal conflict.
Source noteMuʿallaqa of Zuhayr: Is This a Silent Trace of Umm Awfa? (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Zuhayr ibn Abi Sulma (c. 520–c. 609), Muʿallaqa of Zuhayr: Is This a Silent Trace of Umm Awfa? — Couplet beginning “Wa-man yaku dhā faḍlin”
Generosity is treated as a social obligation of someone who possesses an advantage.
Source noteMuʿallaqa of Zuhayr: Is This a Silent Trace of Umm Awfa? (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Zuhayr ibn Abi Sulma (c. 520–c. 609), Muʿallaqa of Zuhayr: Is This a Silent Trace of Umm Awfa? — Couplet beginning “Wa-man yūfi”
Keeping faith and acting with a settled conscience are paired as sources of confidence.
Source noteMuʿallaqa of Zuhayr: Is This a Silent Trace of Umm Awfa? (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Zuhayr ibn Abi Sulma (c. 520–c. 609), Muʿallaqa of Zuhayr: Is This a Silent Trace of Umm Awfa? — Couplet beginning “Wa-man yaghtarib”
The first half concerns unfamiliar social surroundings; the second insists on self-respect.
Source noteMuʿallaqa of Tarafah: Khawla’s Traces at Burqat Thahmad (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Tarafah ibn al-Abd (c. 543–c. 569), Muʿallaqa of Tarafah: Khawla’s Traces at Burqat Thahmad — Couplet beginning “Wa-lastu bi-ḥallāli”
Read with the surrounding self-portrait, the line connects courage with generosity to others.
Source noteMuʿallaqa of Tarafah: Khawla’s Traces at Burqat Thahmad (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Tarafah ibn al-Abd (c. 543–c. 569), Muʿallaqa of Tarafah: Khawla’s Traces at Burqat Thahmad — Couplet beginning “Wa-ẓulmu dhawī l-qurbā”
The complaint arises from conflict with relatives; the comparison expresses emotional hurt through a physical image.
Source noteMuʿallaqa of Antarah: Have the Poets Left Anything to Mend? (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Antarah ibn Shaddad (c. 525–c. 615), Muʿallaqa of Antarah: Have the Poets Left Anything to Mend? — Couplet beginning “Athnī ʿalayya”
The speaker asks to be judged from experience, while making his generosity conditional on fair treatment.
Source noteMuʿallaqa of Antarah: Have the Poets Left Anything to Mend? (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Antarah ibn Shaddad (c. 525–c. 615), Muʿallaqa of Antarah: Have the Poets Left Anything to Mend? — Couplet beginning “Wa-idhā ṣaḥawtu”
Following a reference to drinking, the speaker insists that generosity is a lasting trait, not merely an altered mood.
Source noteMuʿallaqa of Antarah: Have the Poets Left Anything to Mend? (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Antarah ibn Shaddad (c. 525–c. 615), Muʿallaqa of Antarah: Have the Poets Left Anything to Mend? — Couplet beginning “Law kāna yadrī”
The pronoun refers to the speaker’s wounded horse, giving the animal’s suffering a voice through imagination.
Source noteExplore these words: Emergencies & safety (flashcards) · Emotions & feelings (flashcards)
Put these words into context with a story at your level.
Read Arabic storiesArabic Poetry Excerpts About Ambition and Work
Poetic ambition is often larger than life; notice the images of stars, action and reputation.
According to the Resolve of the Resolute (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Al-Mutanabbi (915–965), According to the Resolve of the Resolute — Opening couplet
The opening praises Sayf al-Dawla; its parallel structure makes ambition and generosity equally visible.
Source noteAccording to the Resolve of the Resolute (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Al-Mutanabbi (915–965), According to the Resolve of the Resolute — Couplet beginning “Idhā kāna mā tanwīhi”
Praise becomes a grammar joke: muḍāriʿ is the present/imperfect verb and jawāzim are particles that make it jussive.
Source noteIf You Venture in Pursuit of Honour (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Al-Mutanabbi (915–965), If You Venture in Pursuit of Honour — Opening couplet
The poem begins with the speaker’s uncompromising ambition; marūm means sought or aimed at.
Source noteIf You Venture in Pursuit of Honour (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Al-Mutanabbi (915–965), If You Venture in Pursuit of Honour — Couplet beginning “Yarā l-jubanāʾu”
The speaker attacks excuses for inaction in forceful, deliberately judgmental language.
Source noteO Burning Heart, before One Whose Heart Is Cold (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Al-Mutanabbi (915–965), O Burning Heart, before One Whose Heart Is Cold — Couplet beginning “Anā lladhī naẓara”
An extravagant boast about poetic fame uses deliberately impossible sensory images.
Source noteO Burning Heart, before One Whose Heart Is Cold (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Al-Mutanabbi (915–965), O Burning Heart, before One Whose Heart Is Cold — Couplet beginning “Al-khaylu wa-l-laylu”
The speaker presents himself as equally at home in travel, battle and poetry.
Source noteMuʿallaqa of Tarafah: Khawla’s Traces at Burqat Thahmad (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Tarafah ibn al-Abd (c. 543–c. 569), Muʿallaqa of Tarafah: Khawla’s Traces at Burqat Thahmad — Couplet beginning “Idhā l-qawmu qālū”
The poet presents himself as someone ready to answer a communal call.
Source noteI See You Resisting Tears (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Abu Firas al-Hamdani (932–968), I See You Resisting Tears — Couplet beginning “Wa-mā ḥājatī bi-l-māli”
The wordplay on abundance sets wealth below the reputation the speaker wants to protect.
Source noteMuʿallaqa of Antarah: Have the Poets Left Anything to Mend? (Excerpt)
Excerpt · Classical poem excerpt, preserved unchanged from the earlier guide. The date records a documented nineteenth-century edition of the poet’s collection, not the date of composition. Early poet dates are approximate; each entry is one poetic verse or labeled half-verse. English translation is our own.
Classical Arabic poetry; formal literary register · Classical Arabic; not a modern regional dialect
Hard
— Antarah ibn Shaddad (c. 525–c. 615), Muʿallaqa of Antarah: Have the Poets Left Anything to Mend? — Opening couplet
The famous opening asks whether earlier poets have left anything to say, then turns to remembering a place.
Source noteExplore these words: Time & dates (flashcards)
Put these words into context with a story at your level.
Read Arabic storiesRead the image, then read the verse
- Start with one short excerpt and identify its main image, such as a moon, a campsite or a ship.
- Read the vowel marks and transliteration together, then listen to the formal Arabic reading.
- Open the poem and find the passage using its first words. Read the surrounding couplet before choosing the line as a caption.
- Compare your own literal understanding with our English translation and notice where poetic word order changes.
Arabic poems: frequently asked questions
Are these complete Arabic poems?
These sixty entries are explicitly labeled excerpts. Most are one bayt, a complete poetic verse with two halves; some are a labeled half-verse. Follow the source to read the complete poem.
Are these Arabic poems public domain?
The poets lived centuries ago, and their collected poems were published in documented nineteenth-century editions. Each entry supplies publication evidence and marks its extent as an excerpt. Our English translations are newly written.
Why are there vowel marks and transliteration?
Harakat and transliteration help you follow the classical pronunciation. Arabic poetry can preserve rhyme endings and use grammar or vocabulary that differs from daily conversation.
Which Arabic poets should a beginner start with?
Try the short standalone verses in the quick list first. Al-Mutanabbi’s images of ships, horses and stars are memorable, but the original language is literary; use the line translation as you read.
Are these complete Arabic poems?
These sixty entries are clearly labeled excerpts from longer classical poems. The source and work identify each passage; a memorable bayt is not presented as an entire qasida.
Why are there vowel marks in the Arabic text?
Harakat make short vowels, case endings and doubled consonants visible. They support reading aloud; the romanization is a secondary aid and does not replace the Arabic script.
How should a beginner approach classical Arabic poetry?
Start with a short excerpt, identify its concrete nouns and read the English line translation. Classical vocabulary and compressed syntax are often harder than the length suggests, so return to everyday reading between poems.
Make these words part of your day
Explore Arabic stories, listen along, and save vocabulary as you go.
Find a story at your levelSources and verification
English translations and examples were written for this guide. Source notes distinguish documented expressions, original practice sentences, and literary quotations. Literary excerpts retain the language of their original period.
- According to the Resolve of the Resolute — Original public-domain Arabic poem reproduced by Arabic Wikisource. The quotation identifies its opening words or place within the poem; English title, translation and explanations are editorial.
- If You Venture in Pursuit of Honour — Original public-domain Arabic poem reproduced by Arabic Wikisource. The quotation identifies its opening words or place within the poem; English title, translation and explanations are editorial.
- What Consolation, with Neither Family nor Homeland? — Original public-domain Arabic poem reproduced by Arabic Wikisource. The quotation identifies its opening words or place within the poem; English title, translation and explanations are editorial.
- O Burning Heart, before One Whose Heart Is Cold — Original public-domain Arabic poem reproduced by Arabic Wikisource. The quotation identifies its opening words or place within the poem; English title, translation and explanations are editorial.
- People before Us Kept Company with This Time — Original public-domain Arabic poem reproduced by Arabic Wikisource. The quotation identifies its opening words or place within the poem; English title, translation and explanations are editorial.
- Muʿallaqa of Zuhayr: Is This a Silent Trace of Umm Awfa? — Original public-domain Arabic poem reproduced by Arabic Wikisource. The quotation identifies its opening words or place within the poem; English title, translation and explanations are editorial.
- Muʿallaqa of Antarah: Have the Poets Left Anything to Mend? — Original public-domain Arabic poem reproduced by Arabic Wikisource. The quotation identifies its opening words or place within the poem; English title, translation and explanations are editorial.
- Muʿallaqa of Imru al-Qays: Stop, Let Us Weep — Original public-domain Arabic poem reproduced by Arabic Wikisource. The quotation identifies its opening words or place within the poem; English title, translation and explanations are editorial.
- Muʿallaqa of Tarafah: Khawla’s Traces at Burqat Thahmad — Original public-domain Arabic poem reproduced by Arabic Wikisource. The quotation identifies its opening words or place within the poem; English title, translation and explanations are editorial.
- I See You Resisting Tears — Original public-domain Arabic poem reproduced by Arabic Wikisource. The quotation identifies its opening words or place within the poem; English title, translation and explanations are editorial.
- Columbia University / Arabic Collections Online: Diwan al-Mutanabbi, Berlin1861 — Bibliographic evidence of publication before1930. Source wording is checked in the separately linked original poem; this catalogue date does not claim that our vocalization reproduces a specific printed edition.
- Deutsche Digitale Bibliothek: Abu Firas, Diwan, Beirut1873 — Bibliographic evidence of publication before1930. Source wording is checked in the separately linked original poem; this catalogue date does not claim that our vocalization reproduces a specific printed edition.
- Ahlwardt, The Divans of the Six Ancient Arabic Poets,1870 — Bibliographic evidence of publication before1930. Source wording is checked in the separately linked original poem; this catalogue date does not claim that our vocalization reproduces a specific printed edition.
Source notes for all 60 entries
- Muʿallaqa of Tarafah: Khawla’s Traces at Burqat Thahmad (Excerpt): Second couplet, second half. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-tarafah]
- I See You Resisting Tears (Excerpt): Couplet beginning “Sa-yadhkurunī qawmī,” second half. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-firas]
- Muʿallaqa of Imru al-Qays: Stop, Let Us Weep (Excerpt): Opening couplet, first half. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-imru]
- What Consolation, with Neither Family nor Homeland? (Excerpt): Opening couplet. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-consolation]
- What Consolation, with Neither Family nor Homeland? (Excerpt): Couplet beginning “Fa-mā yudīmu surūrun”. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-consolation]
- What Consolation, with Neither Family nor Homeland? (Excerpt): Couplet beginning “Mā kullu mā yatamannā”. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-consolation]
- People before Us Kept Company with This Time (Excerpt): Opening couplet. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-people]
- People before Us Kept Company with This Time (Excerpt): Third couplet. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-people]
- People before Us Kept Company with This Time (Excerpt): Eighth couplet. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-people]
- People before Us Kept Company with This Time (Excerpt): Final couplet. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-people]
- Muʿallaqa of Zuhayr: Is This a Silent Trace of Umm Awfa? (Excerpt): Couplet beginning “Saʾimtu takālīfa l-ḥayāti”. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-zuhayr]
- Muʿallaqa of Zuhayr: Is This a Silent Trace of Umm Awfa? (Excerpt): Couplet beginning “Raʾaytu l-manāyā”. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-zuhayr]
- Muʿallaqa of Zuhayr: Is This a Silent Trace of Umm Awfa? (Excerpt): Couplet beginning “Wa-man hāba asbāba”. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-zuhayr]
- Muʿallaqa of Tarafah: Khawla’s Traces at Burqat Thahmad (Excerpt): Couplet beginning “Arā l-ʿaysha kanzan”. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-tarafah]
- Muʿallaqa of Tarafah: Khawla’s Traces at Burqat Thahmad (Excerpt): Couplet beginning “La-ʿamruka mā amrī”. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-tarafah]
- Muʿallaqa of Imru al-Qays: Stop, Let Us Weep (Excerpt): Couplet beginning “Alā ayyuhā l-laylu”. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-imru]
- Muʿallaqa of Tarafah: Khawla’s Traces at Burqat Thahmad (Excerpt): Opening couplet. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-tarafah]
- I See You Resisting Tears (Excerpt): Opening couplet. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-firas]
- I See You Resisting Tears (Excerpt): Second couplet. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-firas]
- I See You Resisting Tears (Excerpt): Fourth couplet. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-firas]
- I See You Resisting Tears (Excerpt): Sixth couplet, first half. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-firas]
- I See You Resisting Tears (Excerpt): Couplet beginning “Badawtu wa-ahlī,” second half. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-firas]
- Muʿallaqa of Antarah: Have the Poets Left Anything to Mend? (Excerpt): Second couplet. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-antarah]
- Muʿallaqa of Antarah: Have the Poets Left Anything to Mend? (Excerpt): Couplet beginning “Wa-la-qad nazalti”. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-antarah]
- According to the Resolve of the Resolute (Excerpt): Second couplet. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-azm]
- If You Venture in Pursuit of Honour (Excerpt): Couplet beginning “Wa-kullu shajāʿatin”. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-venture]
- If You Venture in Pursuit of Honour (Excerpt): Couplet beginning “Wa-kam min ʿāʾibin”. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-venture]
- What Consolation, with Neither Family nor Homeland? (Excerpt): Couplet beginning “Innī uṣāḥibu ḥilmī”. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-consolation]
- O Burning Heart, before One Whose Heart Is Cold (Excerpt): Couplet beginning “Idhā raʾayta nuyūba”. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-heart]
- People before Us Kept Company with This Time (Excerpt): Fifth couplet. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-people]
- People before Us Kept Company with This Time (Excerpt): Ninth couplet. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-people]
- Muʿallaqa of Zuhayr: Is This a Silent Trace of Umm Awfa? (Excerpt): Couplet beginning “Wa-mā l-ḥarbu”. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-zuhayr]
- Muʿallaqa of Zuhayr: Is This a Silent Trace of Umm Awfa? (Excerpt): Couplet beginning “Wa-aʿlamu ʿilma l-yawmi”. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-zuhayr]
- Muʿallaqa of Zuhayr: Is This a Silent Trace of Umm Awfa? (Excerpt): Couplet beginning “Wa-man lā yuṣāniʿ”. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-zuhayr]
- Muʿallaqa of Zuhayr: Is This a Silent Trace of Umm Awfa? (Excerpt): Couplet beginning “Wa-man yajʿali l-maʿrūfa”. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-zuhayr]
- Muʿallaqa of Zuhayr: Is This a Silent Trace of Umm Awfa? (Excerpt): Couplet beginning “Wa-mahmā takun”. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-zuhayr]
- Muʿallaqa of Tarafah: Khawla’s Traces at Burqat Thahmad (Excerpt): Penultimate couplet in the linked text. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-tarafah]
- I See You Resisting Tears (Excerpt): Couplet beginning “Wa-lā rāḥa yuṭghīnī”. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-firas]
- O Burning Heart, before One Whose Heart Is Cold (Excerpt): Couplet beginning “Yā aʿdala n-nāsi”. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-heart]
- O Burning Heart, before One Whose Heart Is Cold (Excerpt): Couplet beginning “Yā man yaʿizzu ʿalaynā”. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-heart]
- O Burning Heart, before One Whose Heart Is Cold (Excerpt): Couplet beginning “Sharru l-bilādi”. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-heart]
- People before Us Kept Company with This Time (Excerpt): Sixth couplet. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-people]
- Muʿallaqa of Zuhayr: Is This a Silent Trace of Umm Awfa? (Excerpt): Couplet beginning “Wa-qad qultumā”. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-zuhayr]
- Muʿallaqa of Zuhayr: Is This a Silent Trace of Umm Awfa? (Excerpt): Couplet beginning “Wa-man yaku dhā faḍlin”. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-zuhayr]
- Muʿallaqa of Zuhayr: Is This a Silent Trace of Umm Awfa? (Excerpt): Couplet beginning “Wa-man yūfi”. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-zuhayr]
- Muʿallaqa of Zuhayr: Is This a Silent Trace of Umm Awfa? (Excerpt): Couplet beginning “Wa-man yaghtarib”. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-zuhayr]
- Muʿallaqa of Tarafah: Khawla’s Traces at Burqat Thahmad (Excerpt): Couplet beginning “Wa-lastu bi-ḥallāli”. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-tarafah]
- Muʿallaqa of Tarafah: Khawla’s Traces at Burqat Thahmad (Excerpt): Couplet beginning “Wa-ẓulmu dhawī l-qurbā”. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-tarafah]
- Muʿallaqa of Antarah: Have the Poets Left Anything to Mend? (Excerpt): Couplet beginning “Athnī ʿalayya”. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-antarah]
- Muʿallaqa of Antarah: Have the Poets Left Anything to Mend? (Excerpt): Couplet beginning “Wa-idhā ṣaḥawtu”. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-antarah]
- Muʿallaqa of Antarah: Have the Poets Left Anything to Mend? (Excerpt): Couplet beginning “Law kāna yadrī”. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-antarah]
- According to the Resolve of the Resolute (Excerpt): Opening couplet. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-azm]
- According to the Resolve of the Resolute (Excerpt): Couplet beginning “Idhā kāna mā tanwīhi”. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-azm]
- If You Venture in Pursuit of Honour (Excerpt): Opening couplet. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-venture]
- If You Venture in Pursuit of Honour (Excerpt): Couplet beginning “Yarā l-jubanāʾu”. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-venture]
- O Burning Heart, before One Whose Heart Is Cold (Excerpt): Couplet beginning “Anā lladhī naẓara”. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-heart]
- O Burning Heart, before One Whose Heart Is Cold (Excerpt): Couplet beginning “Al-khaylu wa-l-laylu”. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-heart]
- Muʿallaqa of Tarafah: Khawla’s Traces at Burqat Thahmad (Excerpt): Couplet beginning “Idhā l-qawmu qālū”. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-tarafah]
- I See You Resisting Tears (Excerpt): Couplet beginning “Wa-mā ḥājatī bi-l-māli”. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-firas]
- Muʿallaqa of Antarah: Have the Poets Left Anything to Mend? (Excerpt): Opening couplet. Checked against the linked original poem; vocalization is regularized for learners. English translation and context are our own. [ar-antarah]