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THE INKLINGO LANGUAGE GUIDES

60 Short Japanese Quotes About Life, Love & Wisdom

Find 60 short Japanese quotes about life, love, wisdom, motivation and friendship. Each line has a traceable work, an original English translation, furigana and romaji. Fictional speakers and historical spellings are explained so a memorable line keeps its meaning.

60 entries · Updated

An open Japanese notebook with a flowering branch and two small cups beside it

Short quotes to start with

  1. 人生(じんせい)は落丁(らくちょう)の多(おお)い書物(しょもつ)に似(に)ている。Life resembles a book with many missing pages.
  2. とかくに人(ひと)の世(よ)は住(す)みにくい。One way or another, the human world is hard to live in.
  3. しかし恋人(こいびと)と云(い)うものは滅多(めった)に実相(じっそう)を見(み)るものではない。Yet lovers rarely see things as they really are.
  4. 私(わたし)はお嬢(じょう)さんの顔(かお)を見(み)るたびに、自分(じぶん)が美(うつく)しくなるような心持(こころもち)がしました。Whenever I saw her face, I felt as though I myself were becoming more beautiful.
  5. 智(ち)に働(はたら)けば角(かど)が立(た)つ。Rely only on intellect, and you create friction.
  6. 義務心(ぎむしん)を持(も)っていない自由(じゆう)は本当(ほんとう)の自由(じゆう)ではないと考(かんが)えます。I think freedom without a sense of obligation is not true freedom.
  7. 創作(そうさく)は常(つね)に冒険(ぼうけん)である。Creation is always an adventure.
  8. 私(わたし)はこの自己本位(じこほんい)という言葉(ことば)を自分(じぶん)の手(て)に握(にぎ)ってから大変(たいへん)強(つよ)くなりました。I became much stronger once I took hold of the idea of judging from my own ground.
  9. 僕(ぼく)たちしっかりやろうねえ。Let us do our best, together.
  10. 友(とも)と友(とも)の間(あいだ)は、それでよかった。Between friends, that was enough.

Japanese Quotes About Life

Notice small pleasures, changing seasons and the value of an ordinary day. Some lines come from a fictional narrator; the context explains whose view you are reading.

A small river winding past an open book and a flowering branch
1

(じんせい)を(こうふく)にする為(ため)には、(にちじょう)の瑣事(さじ)を愛(あい)さなければならぬ。

Jinsei o kōfuku ni suru tame ni wa, nichijō no saji o aisanakereba naranu.

To make life happy, you must love its everyday little things.

Literary quotation; older works retain historical spelling.

— Ryūnosuke Akutagawa (1892–1927), Shuju no Kotoba (Words of a Dwarf); 瑣事

Akutagawa immediately adds that sensitivity to small pleasures also makes us vulnerable to small sorrows.

Source note
2

(じんせい)は一(ひとはこ)のマッチに似(に)ている。

Jinsei wa hitohako no matchi ni nite iru.

Life is like a box of matches.

Literary quotation; older works retain historical spelling.

— Ryūnosuke Akutagawa (1892–1927), Shuju no Kotoba (Words of a Dwarf); 人生・又

The next sentences say that treating it too seriously is foolish, while treating it carelessly is dangerous.

Source note
3

(じんせい)は落丁(らくちょう)の多(おお)い(しょもつ)に似(に)ている。

Jinsei wa rakuchō no ōi shomotsu ni nite iru.

Life resembles a book with many missing pages.

Literary quotation; older works retain historical spelling.

— Ryūnosuke Akutagawa (1892–1927), Shuju no Kotoba (Words of a Dwarf); 人生・又

The following lines insist that this incomplete collection still forms a whole.

Source note
4

とかくに人(ひと)の世(よ)は住(す)みにくい。

Tokaku ni hito no yo wa suminikui.

One way or another, the human world is hard to live in.

Literary quotation; older works retain historical spelling.

— Natsume Sōseki (1867–1916), Kusamakura; Chapter 1

The narrator goes on to consider how art can offer a different view of that difficult world.

Source note
5

世(よ)は定(さだ)めなきこそいみじけれ。

Yo wa sadame naki koso imijikere.

The world is moving precisely because nothing in it is permanent.

Literary quotation; older works retain historical spelling.

— Yoshida Kenkō (c. 1283–c. 1350), Tsurezuregusa (Essays in Idleness); Section 7

Kenkō connects impermanence with the capacity to feel the poignancy of living.

Source note
6

いづくにもあれ、暫(しば)し立(たびだ)ちたるこそ、目(め)さむる心地(ここち)すれ。

Izuku ni mo are, shibashi tabidachitaru koso, me samuru kokochi sure.

Wherever it may be, a brief journey feels like waking up.

Literary quotation; older works retain historical spelling.

— Yoshida Kenkō (c. 1283–c. 1350), Tsurezuregusa (Essays in Idleness); Section 15

The essay notices how unfamiliar surroundings renew attention to ordinary things.

Source note
7

折節(おりふし)のうつり變(かわ)るこそ、物毎(ものごと)に哀(あわ)れなれ。

Orifushi no utsurikawaru koso, monogoto ni aware nare.

The changing seasons make everything deeply moving.

Literary quotation; older works retain historical spelling.

— Yoshida Kenkō (c. 1283–c. 1350), Tsurezuregusa (Essays in Idleness); Section 19

The original uses the older character 變; the reading follows the familiar modern pronunciation.

Source note
8

(はな)は盛(さか)りに、(つき)は隈(くま)なきをのみ見(み)るものかは。

Hana wa sakari ni, tsuki wa kuma naki o nomi miru mono ka wa.

Must we look at flowers only in full bloom, and the moon only when it is unclouded?

Literary quotation; older works retain historical spelling.

— Yoshida Kenkō (c. 1283–c. 1350), Tsurezuregusa (Essays in Idleness); Section 137

Kenkō finds beauty in anticipation, absence, fading and incompleteness as well as in perfect moments.

Source note
9

身(み)をあさく思(おもい)世(よ)をふかく思(おも)ふ

Mi o asaku omoi yo o fukaku omou.

Think lightly of yourself and deeply of the world.

Literary quotation; older works retain historical spelling.

— Miyamoto Musashi (c. 1584–1645), Dokkōdō (The Way of Walking Alone); Precept 4

A compact personal precept by Musashi; the old spelling omofu is read omou in the modern reading shown here.

Source note
10

(いちにち)の(いのち)萬金(ばんきん)よりもおもし。

Ichinichi no inochi bankin yori mo omoshi.

A single day of life outweighs a fortune.

Literary quotation; older works retain historical spelling.

— Yoshida Kenkō (c. 1283–c. 1350), Tsurezuregusa (Essays in Idleness); Section 93

Kenkō reports a bystander's response to a scene of petty distraction: attention to the value of the present day.

Source note
11

存命(ぞんめい)の喜(よろこ)び日々(ひび)に樂(たの)しまざらむや。

Zonmei no yorokobi hibi ni tanoshimazaran ya.

Should we not enjoy, each day, the joy of being alive?

Literary quotation; older works retain historical spelling.

— Yoshida Kenkō (c. 1283–c. 1350), Tsurezuregusa (Essays in Idleness); Section 93

Part of the reported reflection in section 93; the rhetorical question affirms ordinary life rather than promising permanent happiness.

Source note
12

和歌(わか)こそなほをかしきものなれ。

Waka koso nao okashiki mono nare.

Waka poetry is, after all, a delightful thing.

Literary quotation; older works retain historical spelling.

— Yoshida Kenkō (c. 1283–c. 1350), Tsurezuregusa (Essays in Idleness); Section 14

This is a prose remark about poetry, followed by examples of how a poem can transform an ordinary or forbidding subject.

Source note

Put these words into context with a story at your level.

Read Japanese stories

Japanese Quotes About Love

These romantic lines include tenderness, hesitation and the self-deception that love can bring. Keep the author and character attached when you share a line.

Two simple cups beside a closed letter and a single blossom
13

しかし恋人(こいびと)と云(い)うものは滅多(めった)に実相(じっそう)を見(み)るものではない。

Shikashi koibito to iu mono wa metta ni jissō o miru mono de wa nai.

Yet lovers rarely see things as they really are.

Literary quotation; older works retain historical spelling.

— Ryūnosuke Akutagawa (1892–1927), Shuju no Kotoba (Words of a Dwarf); クレオパトラの鼻

The essay considers the flattering stories that love can lead people to tell themselves.

Source note
14

我我(われわれ)も微妙(びみょう)に楽(たの)しむ為(ため)には、やはり又(また)微妙(びみょう)に苦(くる)しまなければならぬ。

Wareware mo bimyō ni tanoshimu tame ni wa, yahari mata bimyō ni kurushimanakereba naranu.

To enjoy life's subtleties, we must also suffer its subtleties.

Literary quotation; older works retain historical spelling.

— Ryūnosuke Akutagawa (1892–1927), Shuju no Kotoba (Words of a Dwarf); 瑣事

A reflection on sensitivity and affection, paired with the section's praise of everyday pleasures.

Source note
15

情(じょう)に棹(さお)させば流(なが)される。

Jō ni sao saseba nagasareru.

Push off on emotion, and you get swept away.

Literary quotation; older works retain historical spelling.

— Natsume Sōseki (1867–1916), Kusamakura; Chapter 1

The river image belongs to the narrator's opening reflection on living among other people.

Source note
16

恋(こい)の満足(まんぞく)を味(あじ)わっている人(ひと)はもっと暖(あたた)かい(こえ)を出(だ)すものです。

Koi no manzoku o ajiwatte iru hito wa motto atatakai koe o dasu mono desu.

Someone enjoying fulfillment in love speaks with a warmer voice.

Literary quotation; older works retain historical spelling.

— Natsume Sōseki (1867–1916), Kokoro; Sensei and I, chapter 12

Sensei says this to the young narrator; the novel later complicates his understanding of love.

Source note
17

本当(ほんとう)の愛(あい)は宗教心(しゅうきょうしん)とそう違(ちが)ったものでないという事(こと)を固(かた)く信(しん)じているのです。

Hontō no ai wa shūkyōshin to sō chigatta mono de nai to iu koto o kataku shinjite iru no desu.

I firmly believe that true love is not so different from religious devotion.

Literary quotation; older works retain historical spelling.

— Natsume Sōseki (1867–1916), Kokoro; Sensei's Testament; early account of falling in love

Sensei describes his own idealized feelings; this is fictional testimony, not a universal definition endorsed by the guide.

Source note
18

私(わたし)はお嬢(じょう)さんの(かお)を見(み)るたびに、自分(じぶん)が美(うつく)くなるような心持(こころもち)が。

Watashi wa ojōsan no kao o miru tabi ni, jibun ga utsukushiku naru yō na kokoromochi ga shimashita.

Whenever I saw her face, I felt as though I myself were becoming more beautiful.

Literary quotation; older works retain historical spelling.

— Natsume Sōseki (1867–1916), Kokoro; Sensei's Testament; early account of falling in love

Sensei recalls the way affection seemed to improve his inner life, before the story's moral complications unfold.

Source note
19

(にんげん)は恋(こい)と革命(かくめい)のために生(うま)れて来(き)たのだ。

Ningen wa koi to kakumei no tame ni umarete kita no da.

Human beings were born for love and revolution.

Literary quotation; older works retain historical spelling.

— Osamu Dazai (1909–1948), Shayō (The Setting Sun); Kazuko's reflections on love and revolution

Kazuko imagines overturning inherited social expectations; this is her declaration in the novel.

Source note
20

恋(こい)、と書(か)いたら、あと、書(か)けなくなった。

Koi, to kaitara, ato, kakenaku natta.

Once I wrote the word love, I could write no more.

Literary quotation; older works retain historical spelling.

— Osamu Dazai (1909–1948), Shayō (The Setting Sun); Kazuko starts a private note

A small moment of hesitation gives the word more weight than an effortless declaration would.

Source note
21

男女(おとこおみな)の情(なさけ)も、偏(ひとえ)に逢(あ)ひ見(み)るをばいふものかは。

Otoko omina no nasake mo, hitoe ni aimiru o ba iu mono ka wa.

Is love between a man and a woman only a matter of meeting each other?

Literary quotation; older works retain historical spelling.

— Yoshida Kenkō (c. 1283–c. 1350), Tsurezuregusa (Essays in Idleness); Section 137

The following passage gives longing, absence and memory a place in romantic experience; the historical wording is gendered.

Source note

Put these words into context with a story at your level.

Read Japanese stories

Japanese Quotes About Wisdom

Compare questioning, freedom, practical knowledge and the beauty of incompleteness. These are individual writers’ observations, not anonymous proverbs.

An open notebook, a compass and a small moon above a quiet landscape
22

我々(われわれ)の信念(しんねん)を支配(しはい)するものは(つね)に捉(とら)え難(がた)い流行(りゅうこう)である。

Wareware no shinnen o shihai suru mono wa tsune ni toraegatai ryūkō de aru.

Our convictions are always governed by elusive fashions.

Literary quotation; older works retain historical spelling.

— Ryūnosuke Akutagawa (1892–1927), Shuju no Kotoba (Words of a Dwarf); 信念

A skeptical observation about accepted opinions, not an argument that evidence is worthless.

Source note
23

智(ち)に働(はたら)けば角(かど)が立(た)つ。

Chi ni hatarakeba kado ga tatsu.

Rely only on intellect, and you create friction.

Literary quotation; older works retain historical spelling.

— Natsume Sōseki (1867–1916), Kusamakura; Chapter 1

The painter-narrator's opening contrasts intellect, emotion and stubbornness; it is not a rejection of thought.

Source note
24

意地(いじ)を通(とお)せば窮屈(きゅうくつ)だ。

Iji o tōseba kyūkutsu da.

Insist on having your way, and life becomes constricting.

Literary quotation; older works retain historical spelling.

— Natsume Sōseki (1867–1916), Kusamakura; Chapter 1

The third part of the opening balances the pitfalls of intellect, emotion and stubbornness.

Source note
25

義務心(ぎむしん)を持(も)っていない自由(じゆう)は本当(ほんとう)の自由(じゆう)ではと考(かんが)えます。

Gimushin o motte inai jiyū wa hontō no jiyū de wa nai to kangaemasu.

I think freedom without a sense of obligation is not true freedom.

Literary quotation; older works retain historical spelling.

— Natsume Sōseki (1867–1916), Watakushi no Kojinshugi (My Individualism); Freedom and obligation

A short clause excerpt from Sōseki's explanation of freedom accompanied by responsibility.

Source note
26

けれどもほんとうのさいわいは一体(いったい)何(なん)だろう。

Keredomo hontō no saiwai wa ittai nan darō.

But what, really, is true happiness?

Literary quotation; older works retain historical spelling.

— Kenji Miyazawa (1896–1933), Ginga Tetsudō no Yoru (Night on the Galactic Railroad); Chapter 9; Giovanni's question

The question remains a central inquiry of the story; it is not followed by a simple slogan-answer.

Source note
27

読書(どくしょ)は学問(がくもん)の術(じゅつ)なり、学問(がくもん)は事(こと)をなすの術(じゅつ)なり。

Dokusho wa gakumon no jutsu nari, gakumon wa koto o nasu no jutsu nari.

Reading is a means to learning; learning is a means to doing things.

Literary quotation; older works retain historical spelling.

— Yukichi Fukuzawa (1835–1901), Gakumon no Susume (An Encouragement of Learning); Part 5

This sentence distinguishes a tool from the practical purpose for which it is used.

Source note
28

信(しん)の世界(せかい)に偽詐(ぎさ)多(おお)く、疑(うたが)いの世界(せかい)に真理(しんり)多(おお)。

Shin no sekai ni gisa ōku, utagai no sekai ni shinri ōshi.

The world of unquestioning belief holds much deception; the world of questioning holds much truth.

Literary quotation; older works retain historical spelling.

— Yukichi Fukuzawa (1835–1901), Gakumon no Susume (An Encouragement of Learning); Part 15

The passage encourages examining claims instead of accepting rumor or authority without thought.

Source note
29

独立(どくりつ)とは自分(じぶん)にて自分(じぶん)の身(み)を支配(しはい)し他(た)によりすがる心(こころ)を言(い)う。

Dokuritsu to wa jibun nite jibun no mi o shihai shi ta ni yorisugaru kokoro naki o iu.

Independence means directing your own life without a mind that simply leans on others.

Literary quotation; older works retain historical spelling.

— Yukichi Fukuzawa (1835–1901), Gakumon no Susume (An Encouragement of Learning); Part 3

The argument concerns personal judgment and responsibility within society.

Source note
30

天(てん)は人(ひと)の(うえ)に人(ひと)を造(つく)らず人(ひと)の下(した)に人(ひと)を造(つく)らず

Ten wa hito no ue ni hito o tsukurazu hito no shita ni hito o tsukurazu.

Heaven creates no person above another, and no person below another.

Literary quotation; older works retain historical spelling.

— Yukichi Fukuzawa (1835–1901), Gakumon no Susume (An Encouragement of Learning); Part 1; opening proposition

Fukuzawa opens with this proposition as something said, then discusses equality, education and social differences; it is not labeled his invented proverb.

Source note
31

萬(よろず)にその道(みち)を知(し)れるものは、やんごとなきものなり。

Yorozu ni sono michi o shireru mono wa, yangotonaki mono nari.

In every field, someone who truly knows the craft deserves respect.

Literary quotation; older works retain historical spelling.

— Yoshida Kenkō (c. 1283–c. 1350), Tsurezuregusa (Essays in Idleness); Section 51

The conclusion follows a practical story about building a waterwheel that actually works.

Source note
32

すこしの事(こと)にも先達(せんだち)はあらまほしきことなり。

Sukoshi no koto ni mo sendachi wa aramahoshiki koto nari.

Even in small matters, a knowledgeable guide is worth having.

Literary quotation; older works retain historical spelling.

— Yoshida Kenkō (c. 1283–c. 1350), Tsurezuregusa (Essays in Idleness); Section 52

A traveler visits the outlying shrines but misses the main destination because he has no guide.

Source note
33

吉凶(きっきょう)は人(ひと)によりて日(ひ)によらず。

Kikkyō wa hito ni yorite hi ni yorazu.

Good or bad fortune depends on people, not on the date.

Literary quotation; older works retain historical spelling.

— Yoshida Kenkō (c. 1283–c. 1350), Tsurezuregusa (Essays in Idleness); Section 91

The section questions the habit of assigning success or failure to auspicious calendar days.

Source note
34

努力(どりょく)萬能(ばんのう)なりとは斷(だん)じ得(え)ぬ。

Doryoku bannō nari to wa danjienu.

We cannot conclude that effort is all-powerful.

Literary quotation; older works retain historical spelling.

— Kōda Rohan (1867–1947), Doryokuron (On Effort); Preface

The surrounding discussion stresses direction and preparation, rather than merely working harder.

Source note
35

我事(わがこと)におゐて(こうかい)をせす

Waga koto ni oite kōkai o sezu.

Do not dwell on regret for your own actions.

Literary quotation; older works retain historical spelling.

— Miyamoto Musashi (c. 1584–1645), Dokkōdō (The Way of Walking Alone); Precept 6

This is a rule Musashi set down for himself, not advice to avoid taking responsibility for mistakes.

Source note
36

萬(よろず)の事(こと)も始(はじ)め終(おわ)りこそをかしけれ。

Yorozu no koto mo hajime owari koso okashikere.

In everything, beginnings and endings have their own charm.

Literary quotation; older works retain historical spelling.

— Yoshida Kenkō (c. 1283–c. 1350), Tsurezuregusa (Essays in Idleness); Section 137

The passage finds interest before and after a thing reaches its height, as with blossoms and the moon.

Source note

Put these words into context with a story at your level.

Read Japanese stories

Japanese Quotes for Motivation

Learning takes action, and creative work takes persistence. These short lines also recognize the limits of effort and the importance of choosing its direction.

A person tending a small plant beside a path leading uphill
37

我我(われわれ)は(じんせい)と闘(たたか)いながら、(じんせい)と闘(たたか)うことを学(まな)ばねばならぬ。

Wareware wa jinsei to tatakainagara, jinsei to tatakau koto o manabaneba naranu.

We must learn how to struggle with life while struggling with it.

Literary quotation; older works retain historical spelling.

— Ryūnosuke Akutagawa (1892–1927), Shuju no Kotoba (Words of a Dwarf); 人生

The essay compares life to a contest that gives its participants no rehearsal.

Source note
38

創作(そうさく)は(つね)に冒険(ぼうけん)である。

Sōsaku wa tsune ni bōken de aru.

Creation is always an adventure.

Literary quotation; older works retain historical spelling.

— Ryūnosuke Akutagawa (1892–1927), Shuju no Kotoba (Words of a Dwarf); 創作

The next sentence recognizes the uncertainty that remains even after doing everything within one's power.

Source note
39

どこへ越(こ)しても住(す)みにくいと悟(さと)った(とき)、詩(し)が生(うま)れて、画(え)が出来(でき)る。

Doko e koshite mo suminikui to satotta toki, shi ga umarete, e ga dekiru.

When you realize that life is difficult wherever you go, poetry is born and pictures take shape.

Literary quotation; older works retain historical spelling.

— Natsume Sōseki (1867–1916), Kusamakura; Chapter 1

The narrator links the making of art to a fresh response to ordinary human difficulty.

Source note
40

私(わたし)はこの自己位(じこほんい)という言葉(ことば)を自分(じぶん)の手(て)に握(にぎ)ってから大変(たいへん)強(つよ)くなりました。

Watashi wa kono jiko hon'i to iu kotoba o jibun no te ni nigitte kara taihen tsuyoku narimashita.

I became much stronger once I took hold of the idea of judging from my own ground.

Literary quotation; older works retain historical spelling.

— Natsume Sōseki (1867–1916), Watakushi no Kojinshugi (My Individualism); Account of discovering self-reliance

In this lecture, self-reliance means developing an independent basis for judgment, not ignoring everyone else.

Source note
41

学問(がくもん)の要(よう)は活用(かつよう)にあるのみ。

Gakumon no yō wa katsuyō ni aru nomi.

The heart of learning lies in putting it to use.

Literary quotation; older works retain historical spelling.

— Yukichi Fukuzawa (1835–1901), Gakumon no Susume (An Encouragement of Learning); Part 12

Fukuzawa connects study with action rather than treating the accumulation of information as its final goal.

Source note
42

おおよそ(せけん)の事物(じぶつ)、進(すす)まざる者(もの)は必(かなら)ず退(しりぞ)き、退(しりぞ)かざる者(もの)は必(かなら)ず進(すす)む。

Ōyoso seken no jibutsu, susumazaru mono wa kanarazu shirizoki, shirizokazaru mono wa kanarazu susumu.

In the affairs of the world, what does not move forward retreats; what does not retreat moves forward.

Literary quotation; older works retain historical spelling.

— Yukichi Fukuzawa (1835–1901), Gakumon no Susume (An Encouragement of Learning); Part 5

A deliberately forceful statement about change, from the fifth installment's discussion of education and action.

Source note
43

もっぱら勤(つと)むべきは(にんげん)(ふつう)日用(にちよう)に近(ちか)き実学(じつがく)なり。

Moppara tsutomubeki wa ningen futsū nichiyō ni chikaki jitsugaku nari.

What we should chiefly pursue is practical learning close to ordinary daily life.

Literary quotation; older works retain historical spelling.

— Yukichi Fukuzawa (1835–1901), Gakumon no Susume (An Encouragement of Learning); Part 1

A clause excerpt from the argument for useful education, after setting aside learning pursued only for display.

Source note
44

努力(どりょく)を忘(わす)れて努力(どりょく)する、それが眞(しん)の好(よ)いものである。

Doryoku o wasurete doryoku suru, sore ga shin no yoi mono de aru.

To work so absorbedly that you forget the effort: that is what is truly good.

Literary quotation; older works retain historical spelling.

— Kōda Rohan (1867–1947), Doryokuron (On Effort); Preface

Rohan contrasts strained striving with effort that has become natural through deep engagement.

Source note
45

活用(かつよう)学問(がくもん)は無学(むがく)に等(ひと)し。

Katsuyō naki gakumon wa mugaku ni hitoshi.

Learning that is never put to use is no different from no learning.

Literary quotation; older works retain historical spelling.

— Yukichi Fukuzawa (1835–1901), Gakumon no Susume (An Encouragement of Learning); Part 12

The sentence develops the preceding claim that learning has its purpose in use, with a deliberately sharp contrast.

Source note

Put these words into context with a story at your level.

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Japanese Quotes About Friendship and Kindness

Trust, consideration and generosity connect these lines. Several discuss our responsibilities toward other people beyond close friendships.

Two people sharing shelter beneath a broad leafy tree
46

強者(きょうしゃ)とは(てき)を恐(おそ)れぬ代(かわ)りに(ゆうじん)を恐(おそ)れるものである。

Kyōsha to wa teki o osorenu kawari ni yūjin o osoreru mono de aru.

The strong fear their friends rather than their enemies.

Literary quotation; older works retain historical spelling.

— Ryūnosuke Akutagawa (1892–1927), Shuju no Kotoba (Words of a Dwarf); 強者

The explanation makes this a fear of accidentally hurting a friend, not a fear of friendship itself.

Source note
47

我々(われわれ)は他(た)が自己(じこ)の幸福(こうふく)のために、己(おの)れの(こせい)を勝手(かって)に発展(はってん)するのを、相当(そうとう)の(りゆう)して妨害(ぼうがい)してはならないのであります。

Wareware wa ta ga jiko no kōfuku no tame ni, onore no kosei o katte ni hatten suru no o, sōtō no riyū naku shite bōgai shite wa naranai no de arimasu.

We must not, without good reason, prevent others from developing their individuality for their own happiness.

Literary quotation; older works retain historical spelling.

— Natsume Sōseki (1867–1916), Watakushi no Kojinshugi (My Individualism); Respect for other people's individuality

The lecture insists that the independence one claims for oneself also belongs to other people.

Source note
48

私(わたし)はあなたがたが自由(じゆう)にあらん事(こと)を切望(せつぼう)するものであります。

Watashi wa anatagata ga jiyū ni aran koto o setsubō suru mono de arimasu.

I earnestly hope that you will be free.

Literary quotation; older works retain historical spelling.

— Natsume Sōseki (1867–1916), Watakushi no Kojinshugi (My Individualism); Closing wish for the students

Sōseki addresses students after explaining the obligations that accompany individual freedom.

Source note
49

世界(せかい)がぜんたい(こうふく)にうちは(こじん)の(こうふく)はあり得(え)

Sekai ga zentai kōfuku ni naranai uchi wa kojin no kōfuku wa arienai.

Until the whole world becomes happy, individual happiness is impossible.

Literary quotation; older works retain historical spelling.

— Kenji Miyazawa (1896–1933), Nōmin Geijutsu Gairon Kōyō (Outline of Peasant Art); Introduction

A statement of interdependence in Miyazawa's outline for art rooted in ordinary working life.

Source note
50

僕(ぼく)たちしっかりやろうねえ。

Bokutachi shikkari yarō nē.

Let us do our best, together.

Literary quotation; older works retain historical spelling.

— Kenji Miyazawa (1896–1933), Ginga Tetsudō no Yoru (Night on the Galactic Railroad); Chapter 9; Giovanni and Campanella

Giovanni says this as he feels renewed strength beside his friend.

Source note
51

(とも)と(とも)の(あいだ)は、それでよかった。

Tomo to tomo no aida wa, sore de yokatta.

Between friends, that was enough.

Literary quotation; older works retain historical spelling.

— Osamu Dazai (1909–1948), Hashire Melos (Run, Melos!); The friends' reunion before the pledge

The line follows Selinuntius's silent nod and embrace when Melos asks him to stand as a pledge.

Source note
52

私(わたし)は、(しんらい)に報(むく)いなければならぬ。

Watashi wa, shinrai ni mukuinakereba naranu.

I must live up to the trust placed in me.

Literary quotation; older works retain historical spelling.

— Osamu Dazai (1909–1948), Hashire Melos (Run, Melos!); Melos regains the resolve to run

Melos renews his promise to the friend waiting for him; the story also admits his earlier moment of doubt.

Source note
53

自由(じゆう)とわがままとの界(さかい)は、(たにん)の妨(さまた)げをなすとなさざるとの(あいだ)にあり。

Jiyū to wagamama to no sakai wa, tanin no samatage o nasu to nasazaru to no aida ni ari.

The boundary between freedom and selfishness lies in whether you interfere with others.

Literary quotation; older works retain historical spelling.

— Yukichi Fukuzawa (1835–1901), Gakumon no Susume (An Encouragement of Learning); Part 1

Fukuzawa explains freedom through its relationship to other people's equal freedom.

Source note
54

ひとり燈火(とうか)のもとに文(ふみ)をひろげて、見(み)ぬ世(よ)の人(ひと)を(とも)とするこそ、こよなう慰(なぐさ)むわざなれ。

Hitori tōka no moto ni fumi o hirogete, minu yo no hito o tomo to suru koso, koyonō nagusamu waza nare.

Opening a book alone by lamplight and making friends with people of unseen ages is a great comfort.

Literary quotation; older works retain historical spelling.

— Yoshida Kenkō (c. 1283–c. 1350), Tsurezuregusa (Essays in Idleness); Section 13

Reading becomes a form of companionship across time; fumi here refers to books and writings.

Source note
55

萬(よろず)の科(とが)あらじと思(おも)はば、何事(なにごと)にも誠(まこと)ありて、人(ひと)を分(わ)かず恭(うやうや)しく、言葉(ことば)すくなからむには如(し)かじ。

Yorozu no toga araji to omowaba, nanigoto ni mo makoto arite, hito o wakazu uyauyashiku, kotoba sukunakaran ni wa shikaji.

To avoid giving offense, nothing beats sincerity in all things, respect for everyone and restraint in speech.

Literary quotation; older works retain historical spelling.

— Yoshida Kenkō (c. 1283–c. 1350), Tsurezuregusa (Essays in Idleness); Section 233

The section recommends treating people considerately instead of showing off one's familiarity or skill.

Source note
56

禽(とり)は蔭(かげ)深(ふか)き枝(えだ)に宿(やど)り、人(ひと)は慈愛(じあい)深(ふか)きところに依(よ)るものである。

Tori wa kage fukaki eda ni yadori, hito wa jiai fukaki tokoro ni yoru mono de aru.

Birds settle in leafy shelter; people gather where kindness is deep.

Literary quotation; older works retain historical spelling.

— Kōda Rohan (1867–1947), Doryokuron (On Effort); Sharing happiness

The passage treats sharing good fortune and relieving another person's worries as forms of care.

Source note
57

福(ふく)を惜(おし)むといふことの重(おも)んずべきと同樣(どうよう)に、福(ふく)を分(わか)つといふことも亦(また)甚(はなは)だ重(おも)んずべきことである。

Fuku o oshimu to iu koto no omonzubeki to dōyō ni, fuku o wakatsu to iu koto mo mata hanahada omonzubeki koto de aru.

Sharing good fortune deserves as much care as preserving it.

Literary quotation; older works retain historical spelling.

— Kōda Rohan (1867–1947), Doryokuron (On Effort); Sharing happiness

Rohan distinguishes keeping blessings from wasting away and allowing others to benefit from them.

Source note
58

善惡(ぜんあく)に他(た)をねたむ心(こころ)なし

Zen'aku ni ta o netamu kokoro nashi.

In good or bad fortune, hold no envy toward others.

Literary quotation; older works retain historical spelling.

— Miyamoto Musashi (c. 1584–1645), Dokkōdō (The Way of Walking Alone); Precept 7

The precept turns attention away from comparing one's circumstances with other people's.

Source note
59

自他共(じたとも)にうらみかこつ心(こころ)なし

Jita tomo ni urami kakotsu kokoro nashi.

Harbor no resentment or grievance toward yourself or others.

Literary quotation; older works retain historical spelling.

— Miyamoto Musashi (c. 1584–1645), Dokkōdō (The Way of Walking Alone); Precept 9

A personal discipline against brooding on grievances; the guide does not treat this as a command to accept mistreatment.

Source note
60

人(ひと)にして人(ひと)を毛嫌(けぎら)いするなかれ。

Hito ni shite hito o kegirai suru nakare.

As a human being, do not reject other people out of blind dislike.

Literary quotation; older works retain historical spelling.

— Yukichi Fukuzawa (1835–1901), Gakumon no Susume (An Encouragement of Learning); Part 17

The work ends by encouraging a wider circle of social contact instead of shutting oneself away from unfamiliar people.

Source note

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Famous Japanese-language authors

  • Ryūnosuke Akutagawa (1892–1927) — Aphorist, essayist and short-story writer.
  • Natsume Sōseki (1867–1916) — Novelist and essayist.
  • Yoshida Kenkō (c. 1283–c. 1350) — Medieval essayist and Buddhist monk.
  • Miyamoto Musashi (c. 1584–1645) — Swordsman and writer of personal precepts.
  • Osamu Dazai (1909–1948) — Novelist and short-story writer.
  • Kenji Miyazawa (1896–1933) — Writer and poet concerned with rural life and shared happiness.
  • Yukichi Fukuzawa (1835–1901) — Educator and writer on independence and practical learning.
  • Kōda Rohan (1867–1947) — Novelist and essayist.

Japanese quotes: frequently asked questions

What is a short Japanese quote about life?

Akutagawa compares life to a box of matches. The surrounding passage says that taking it too seriously is foolish, while treating it carelessly is dangerous. Read the short line together with that balance.

What are good Japanese quotes about love?

Sōseki explores affection and idealization in Kokoro, while Dazai’s Kazuko speaks about love and revolution in The Setting Sun. Both are fictional voices: sharing the author and work keeps the quotation honest.

Are these Japanese quotes or proverbs?

These are attributed excerpts from essays, lectures, fiction and personal precepts. Anonymous sayings belong in the Japanese idioms and proverbs guide. Complete waka and haiku are collected on the Japanese poems page.

Can I use these Japanese quotes as captions?

Choose a short line whose context fits what you mean, keep the Japanese wording intact and include the author. The quick list offers concise options; the full entries explain the source and any fictional speaker.

Why do some spellings look old?

Older works use historical kana or character forms. The guide preserves the cited wording and provides a modern conventional reading in romaji. For example, 思ふ is read omou.

Are these ordinary conversational Japanese phrases?

No. Several lines use literary or classical grammar. For practical greetings, requests and daily conversation, use the Japanese common-phrases guide.

Who wrote the English translations?

The translations, reading support and context notes were written directly for this guide. They are not copied from published English translations.

Where did the classical waka go?

All sixty waka from the earlier quotation collection are preserved on the Japanese poems page, with their original anthology numbers, readings and media provenance.

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Sources and verification

English translations and examples were written for this guide. Source notes distinguish documented expressions, original practice sentences, and literary quotations. Literary excerpts retain the language of their original period.

Source notes for all 60 entries
  1. 人生(じんせい)を幸福(こうふく)にする為(ため)には、日常(にちじょう)の瑣事(さじ)を愛(あい)さなければならぬ。: Exact excerpt from Shuju no Kotoba (Words of a Dwarf), 瑣事. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [akutagawa]
  2. 人生(じんせい)は一箱(ひとはこ)のマッチに似(に)ている。: Exact excerpt from Shuju no Kotoba (Words of a Dwarf), 人生・又. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [akutagawa]
  3. 人生(じんせい)は落丁(らくちょう)の多(おお)い書物(しょもつ)に似(に)ている。: Exact excerpt from Shuju no Kotoba (Words of a Dwarf), 人生・又. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [akutagawa]
  4. とかくに人(ひと)の世(よ)は住(す)みにくい。: Exact excerpt from Kusamakura, Chapter 1. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [kusamakura]
  5. 世(よ)は定(さだ)めなきこそいみじけれ。: Exact excerpt from Tsurezuregusa (Essays in Idleness), Section 7. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [kenko]
  6. いづくにもあれ、暫(しば)し旅立(たびだ)ちたるこそ、目(め)さむる心地(ここち)すれ。: Exact excerpt from Tsurezuregusa (Essays in Idleness), Section 15. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [kenko]
  7. 折節(おりふし)のうつり變(かわ)るこそ、物毎(ものごと)に哀(あわ)れなれ。: Exact excerpt from Tsurezuregusa (Essays in Idleness), Section 19. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [kenko]
  8. 花(はな)は盛(さか)りに、月(つき)は隈(くま)なきをのみ見(み)るものかは。: Exact excerpt from Tsurezuregusa (Essays in Idleness), Section 137. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [kenko]
  9. 身(み)をあさく思(おもい)世(よ)をふかく思(おも)ふ: Exact excerpt from Dokkōdō (The Way of Walking Alone), Precept 4. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [musashi]
  10. 一日(いちにち)の命(いのち)萬金(ばんきん)よりもおもし。: Exact excerpt from Tsurezuregusa (Essays in Idleness), Section 93. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [kenko]
  11. 存命(ぞんめい)の喜(よろこ)び日々(ひび)に樂(たの)しまざらむや。: Exact excerpt from Tsurezuregusa (Essays in Idleness), Section 93. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [kenko]
  12. 和歌(わか)こそなほをかしきものなれ。: Exact excerpt from Tsurezuregusa (Essays in Idleness), Section 14. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [kenko]
  13. しかし恋人(こいびと)と云(い)うものは滅多(めった)に実相(じっそう)を見(み)るものではない。: Exact excerpt from Shuju no Kotoba (Words of a Dwarf), クレオパトラの鼻. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [akutagawa]
  14. 我我(われわれ)も微妙(びみょう)に楽(たの)しむ為(ため)には、やはり又(また)微妙(びみょう)に苦(くる)しまなければならぬ。: Exact excerpt from Shuju no Kotoba (Words of a Dwarf), 瑣事. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [akutagawa]
  15. 情(じょう)に棹(さお)させば流(なが)される。: Exact excerpt from Kusamakura, Chapter 1. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [kusamakura]
  16. 恋(こい)の満足(まんぞく)を味(あじ)わっている人(ひと)はもっと暖(あたた)かい声(こえ)を出(だ)すものです。: Exact excerpt from Kokoro, Sensei and I, chapter 12. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [kokoro]
  17. 本当(ほんとう)の愛(あい)は宗教心(しゅうきょうしん)とそう違(ちが)ったものでないという事(こと)を固(かた)く信(しん)じているのです。: Exact excerpt from Kokoro, Sensei's Testament; early account of falling in love. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [kokoro]
  18. 私(わたし)はお嬢(じょう)さんの顔(かお)を見(み)るたびに、自分(じぶん)が美(うつく)しくなるような心持(こころもち)がしました。: Exact excerpt from Kokoro, Sensei's Testament; early account of falling in love. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [kokoro]
  19. 人間(にんげん)は恋(こい)と革命(かくめい)のために生(うま)れて来(き)たのだ。: Exact excerpt from Shayō (The Setting Sun), Kazuko's reflections on love and revolution. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [shayo]
  20. 恋(こい)、と書(か)いたら、あと、書(か)けなくなった。: Exact excerpt from Shayō (The Setting Sun), Kazuko starts a private note. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [shayo]
  21. 男女(おとこおみな)の情(なさけ)も、偏(ひとえ)に逢(あ)ひ見(み)るをばいふものかは。: Exact excerpt from Tsurezuregusa (Essays in Idleness), Section 137. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [kenko]
  22. 我々(われわれ)の信念(しんねん)を支配(しはい)するものは常(つね)に捉(とら)え難(がた)い流行(りゅうこう)である。: Exact excerpt from Shuju no Kotoba (Words of a Dwarf), 信念. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [akutagawa]
  23. 智(ち)に働(はたら)けば角(かど)が立(た)つ。: Exact excerpt from Kusamakura, Chapter 1. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [kusamakura]
  24. 意地(いじ)を通(とお)せば窮屈(きゅうくつ)だ。: Exact excerpt from Kusamakura, Chapter 1. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [kusamakura]
  25. 義務心(ぎむしん)を持(も)っていない自由(じゆう)は本当(ほんとう)の自由(じゆう)ではないと考(かんが)えます。: Exact excerpt from Watakushi no Kojinshugi (My Individualism), Freedom and obligation. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [individualism]
  26. けれどもほんとうのさいわいは一体(いったい)何(なん)だろう。: Exact excerpt from Ginga Tetsudō no Yoru (Night on the Galactic Railroad), Chapter 9; Giovanni's question. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [ginga]
  27. 読書(どくしょ)は学問(がくもん)の術(じゅつ)なり、学問(がくもん)は事(こと)をなすの術(じゅつ)なり。: Exact excerpt from Gakumon no Susume (An Encouragement of Learning), Part 5. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [gakumon]
  28. 信(しん)の世界(せかい)に偽詐(ぎさ)多(おお)く、疑(うたが)いの世界(せかい)に真理(しんり)多(おお)し。: Exact excerpt from Gakumon no Susume (An Encouragement of Learning), Part 15. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [gakumon]
  29. 独立(どくりつ)とは自分(じぶん)にて自分(じぶん)の身(み)を支配(しはい)し他(た)によりすがる心(こころ)なきを言(い)う。: Exact excerpt from Gakumon no Susume (An Encouragement of Learning), Part 3. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [gakumon]
  30. 天(てん)は人(ひと)の上(うえ)に人(ひと)を造(つく)らず人(ひと)の下(した)に人(ひと)を造(つく)らず: Exact excerpt from Gakumon no Susume (An Encouragement of Learning), Part 1; opening proposition. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [gakumon]
  31. 萬(よろず)にその道(みち)を知(し)れるものは、やんごとなきものなり。: Exact excerpt from Tsurezuregusa (Essays in Idleness), Section 51. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [kenko]
  32. すこしの事(こと)にも先達(せんだち)はあらまほしきことなり。: Exact excerpt from Tsurezuregusa (Essays in Idleness), Section 52. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [kenko]
  33. 吉凶(きっきょう)は人(ひと)によりて日(ひ)によらず。: Exact excerpt from Tsurezuregusa (Essays in Idleness), Section 91. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [kenko]
  34. 努力(どりょく)萬能(ばんのう)なりとは斷(だん)じ得(え)ぬ。: Exact excerpt from Doryokuron (On Effort), Preface. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [rohan]
  35. 我事(わがこと)におゐて後悔(こうかい)をせす: Exact excerpt from Dokkōdō (The Way of Walking Alone), Precept 6. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [musashi]
  36. 萬(よろず)の事(こと)も始(はじ)め終(おわ)りこそをかしけれ。: Exact excerpt from Tsurezuregusa (Essays in Idleness), Section 137. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [kenko]
  37. 我我(われわれ)は人生(じんせい)と闘(たたか)いながら、人生(じんせい)と闘(たたか)うことを学(まな)ばねばならぬ。: Exact excerpt from Shuju no Kotoba (Words of a Dwarf), 人生. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [akutagawa]
  38. 創作(そうさく)は常(つね)に冒険(ぼうけん)である。: Exact excerpt from Shuju no Kotoba (Words of a Dwarf), 創作. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [akutagawa]
  39. どこへ越(こ)しても住(す)みにくいと悟(さと)った時(とき)、詩(し)が生(うま)れて、画(え)が出来(でき)る。: Exact excerpt from Kusamakura, Chapter 1. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [kusamakura]
  40. 私(わたし)はこの自己本位(じこほんい)という言葉(ことば)を自分(じぶん)の手(て)に握(にぎ)ってから大変(たいへん)強(つよ)くなりました。: Exact excerpt from Watakushi no Kojinshugi (My Individualism), Account of discovering self-reliance. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [individualism]
  41. 学問(がくもん)の要(よう)は活用(かつよう)にあるのみ。: Exact excerpt from Gakumon no Susume (An Encouragement of Learning), Part 12. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [gakumon]
  42. おおよそ世間(せけん)の事物(じぶつ)、進(すす)まざる者(もの)は必(かなら)ず退(しりぞ)き、退(しりぞ)かざる者(もの)は必(かなら)ず進(すす)む。: Exact excerpt from Gakumon no Susume (An Encouragement of Learning), Part 5. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [gakumon]
  43. もっぱら勤(つと)むべきは人間(にんげん)普通(ふつう)日用(にちよう)に近(ちか)き実学(じつがく)なり。: Exact excerpt from Gakumon no Susume (An Encouragement of Learning), Part 1. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [gakumon]
  44. 努力(どりょく)を忘(わす)れて努力(どりょく)する、それが眞(しん)の好(よ)いものである。: Exact excerpt from Doryokuron (On Effort), Preface. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [rohan]
  45. 活用(かつよう)なき学問(がくもん)は無学(むがく)に等(ひと)し。: Exact excerpt from Gakumon no Susume (An Encouragement of Learning), Part 12. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [gakumon]
  46. 強者(きょうしゃ)とは敵(てき)を恐(おそ)れぬ代(かわ)りに友人(ゆうじん)を恐(おそ)れるものである。: Exact excerpt from Shuju no Kotoba (Words of a Dwarf), 強者. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [akutagawa]
  47. 我々(われわれ)は他(た)が自己(じこ)の幸福(こうふく)のために、己(おの)れの個性(こせい)を勝手(かって)に発展(はってん)するのを、相当(そうとう)の理由(りゆう)なくして妨害(ぼうがい)してはならないのであります。: Exact excerpt from Watakushi no Kojinshugi (My Individualism), Respect for other people's individuality. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [individualism]
  48. 私(わたし)はあなたがたが自由(じゆう)にあらん事(こと)を切望(せつぼう)するものであります。: Exact excerpt from Watakushi no Kojinshugi (My Individualism), Closing wish for the students. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [individualism]
  49. 世界(せかい)がぜんたい幸福(こうふく)にならないうちは個人(こじん)の幸福(こうふく)はあり得(え)ない: Exact excerpt from Nōmin Geijutsu Gairon Kōyō (Outline of Peasant Art), Introduction. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [noumin]
  50. 僕(ぼく)たちしっかりやろうねえ。: Exact excerpt from Ginga Tetsudō no Yoru (Night on the Galactic Railroad), Chapter 9; Giovanni and Campanella. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [ginga]
  51. 友(とも)と友(とも)の間(あいだ)は、それでよかった。: Exact excerpt from Hashire Melos (Run, Melos!), The friends' reunion before the pledge. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [melos]
  52. 私(わたし)は、信頼(しんらい)に報(むく)いなければならぬ。: Exact excerpt from Hashire Melos (Run, Melos!), Melos regains the resolve to run. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [melos]
  53. 自由(じゆう)とわがままとの界(さかい)は、他人(たにん)の妨(さまた)げをなすとなさざるとの間(あいだ)にあり。: Exact excerpt from Gakumon no Susume (An Encouragement of Learning), Part 1. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [gakumon]
  54. ひとり燈火(とうか)のもとに文(ふみ)をひろげて、見(み)ぬ世(よ)の人(ひと)を友(とも)とするこそ、こよなう慰(なぐさ)むわざなれ。: Exact excerpt from Tsurezuregusa (Essays in Idleness), Section 13. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [kenko]
  55. 萬(よろず)の科(とが)あらじと思(おも)はば、何事(なにごと)にも誠(まこと)ありて、人(ひと)を分(わ)かず恭(うやうや)しく、言葉(ことば)すくなからむには如(し)かじ。: Exact excerpt from Tsurezuregusa (Essays in Idleness), Section 233. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [kenko]
  56. 禽(とり)は蔭(かげ)深(ふか)き枝(えだ)に宿(やど)り、人(ひと)は慈愛(じあい)深(ふか)きところに依(よ)るものである。: Exact excerpt from Doryokuron (On Effort), Sharing happiness. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [rohan]
  57. 福(ふく)を惜(おし)むといふことの重(おも)んずべきと同樣(どうよう)に、福(ふく)を分(わか)つといふことも亦(また)甚(はなは)だ重(おも)んずべきことである。: Exact excerpt from Doryokuron (On Effort), Sharing happiness. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [rohan]
  58. 善惡(ぜんあく)に他(た)をねたむ心(こころ)なし: Exact excerpt from Dokkōdō (The Way of Walking Alone), Precept 7. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [musashi]
  59. 自他共(じたとも)にうらみかこつ心(こころ)なし: Exact excerpt from Dokkōdō (The Way of Walking Alone), Precept 9. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [musashi]
  60. 人(ひと)にして人(ひと)を毛嫌(けぎら)いするなかれ。: Exact excerpt from Gakumon no Susume (An Encouragement of Learning), Part 17. Author attribution and fictional voice are distinguished in the context note. Translation and reading support were written for this guide. [gakumon]